The K-pop girl group's gratitude is the sort that arises in the year's final days, when we reflect on those who've made our lives a little brighter.

An addictive Ab-Soul track featuring a remix of a beloved soul sample, a philosophical premise and an energetic, did-I-even-stutter type of flow.

On the fun and bouncy "Conceited," SZA isn't letting circumstances beyond her control — naysayers; who her ex is currently seeing — dictate her worth, even if only briefly.

Serving as both an inner monologue and a PSA for anyone thinking they're about to get the 2017 version of Solana, "Gone Girl" fully faces the realization that SZA isn't that person anymore.

On "Special," a wounded pop-folk ballad, SZA staggers out of a failed relationship like a soldier out of a warzone, her words weary and her senses frazzled.

"Gorilla" is a declaration — Little Simz is here and she wants you to feel it.

SZA invokes the angst, anarchy and audacity of pop-punk predecessors like Fefe Dobson and Avril Lavigne on "F2F," relishing her role as the toxic ex.

On the rhapsodic opener to its sixth album, the Japanese dream-pop outfit looks to the cosmos.

As is often the case with inner monologues, "Kill Bill" finds SZA bouncing her more toxic and rational thoughts off of each other — indulging particularly in the former.

Absent any pining or angst, SZA's rapping on "Smoking on my Ex Pack" is matter of fact, leaving no room for questions, letting you know up top she's that girl.